Showing posts with label Miniature Art. Show all posts
Showing posts with label Miniature Art. Show all posts

Tuesday, May 7, 2013

Miniature Art Part II: Shay Aaron

I am really extremely excited about this one! For the one and only reason that it combines two of my favorite things: Art and Food. Usually this combination make you think of culinary art: food that looks so good it is categorized as food art. But this is something else; This is art that looks so much like food it could be categorized as food art.

This post will be about the work of a jewelry artist named Shay Aaron. He makes handmade miniature polymer clay sculptures of food with a 1:12 scale. The Sculptures are so lifelike you could just eat 'em up. This reminds me of this one time when I was a kid: the first time I beheld clay, I thought to myself "Jeez that stuff must be DELICIOUS!" and proceeded to stuff some into my mouth. Needless to say I wasn't the brightest kid on the block (No matter what my mother tries to tell me). But I digress, my point was that these will make grown ups want to eat clay, not just confused 5-year-olds who JUST WANTED TO EXPERIENCE NEW THINGS DAMMIT, no need to fuss over them for hours.


Chocolate Chip Cookie Earings




The sheer amount of work it takes to make these things look so lifelike is just astounding. It may look simple and easy, but as you can see, it takes a bucket-load of patience to complete the simplest-looking parts.






Strawberry Cupcake Earings



Oreo Necklace!



Look at your finger. Now look at the picture. Now look back at your finger. Woah.

I've always wanted to make a rainbow cake.

Making the white lines in the salmon must have been excruciating. 




                               

So. Much. Work. Just a tomato!

More tomatoes!


I heart sushi.


Even hummus and stuff ^_^





Monday, March 25, 2013

Miniature Art Part I: Dalton M. Ghetti

Some great things in life are actually the miniature version of other successful normal-sized things.
  • Mini Chocolate bars
  • Action figures
  • Mini shampoo bottles
  • Pocket dictionaries
  • lap dogs
  • kittens
Likewise some of the most valued art around is the kind that pays attention to detail. You can't even begin to grasp the amount of concentration and persistence needed to complete such work. Honestly, it's quite fascinating to look at. And so our journey of mini-art begins! This will be the 1st post of a series, each post will feature an artist who has done amazing, original, and innovative miniature art.

My first mini-art post will revolve around my main inspiration for writing this series of posts in the first place: the sculptures of artist Dalton M. Ghetti... on the tips of pencils!


A Brief Profile (taken directly from daltonmghetti.com)

Born and raised in Sao Paulo, Brazil.

Came to the U.S. in 1985 at the young age of 24.

Earned an Associate’s degree in Architecture from Norwalk Community Technical College, Connecticut, U.S.A. in 1994.

Works as a carpenter/house remodeler.

Self-taught artist: “Sharpens” pencils as a hobby/meditation.

Currently lives in Bridgeport, Connecticut, U.S.A.

For a full biography, follow this link here.

The longest Dalton has ever taken to finish a piece was two and a half years, and it was doing this one with the interlinking chains. The reason for that is that he works on the pencil-tip sculptures as more of a hobby and doesn't spend more than two hours a day working on them.

He says: “The interlinking chains took the most effort and I was really pleased with it because it’s so intricate people think it must be two pencils”

                                            

       


Dalton's tool's aren't anything extraordinary, he uses a razor blade, sculpting knife, and sewing needle. His mother was a seamstress, and she taught him how to use a sewing needle at an early age, which explains how it ended up among his three basic tools.

“I use the sewing needle to make holes or dig into the graphite. I scratch and create lines and turn the graphite around slowly in my hand”




               

 Ghetti's pieces aren't for sale, it goes against his reasons for making them to sell them. He does them for himself, not for anyone's approval. Working on them relaxes him, his art is "a form of meditation and enrichment of the soul" for him, like it is for many other artist professional or amateur alike. And he thinks of his art as a gift, nothing to profit from, he either keeps them or gives them to his friends as presents.



Another reason Dalton doesn't take on clients and paid commissions is because of the utter fragility of the work he does. He has broken many a pencil tip while working on it, and it's frustrating. Graphite is a brittle material to be sculpting into detailed forms and it could snap if one is too hasty.

"Now, if I am working on a paid commission with a deadline, that brings added pressure to this very tender process of sculpting a pencil. And that pressure may cause me to work too fast which can result in mistakes and breakage."

Actually Dalton keeps all his failed and broken creations, calling it "The Cemetery Collection" because as he put it:
"I worked on them for months so they might be dead now but at one point I gave them life."





Dalton sees a lot of waste in the world, and all his pencil art is a recycling process of discarded pencils thrown on the streets or in the trash. In fact his very first pencil sculpture was with a pencil he found lying on the sidewalk.

"I took it and gave it a new life."